Sponsoring a film festival provides major brand enhancement. There is no way of knowing for certain how representative this sample is of the overall film festival scene. 46,000 people attend the festival in Park City, Utah. Instead, the value of participating in a film festival lies in the opportunity to get distribution deals. If your film is selected for the Festival, you will be sent an email confirmation by March 2021. I did not ask any personal details but can deduce the country from the IP address (which shows, for example, that participants of this survey were 74% from North America, not far off the reality that 70% of all festivals are in North America). Fortunes can be made – and lost – at film festivals. I will leave up your reading of the facts and let the audience decide. If you don’t get a distribution deal from one festival you can always take your film to more festivals and try your luck with a new crowd. We encourage you to support these festivals and especially our local filmmakers who may have scheduled screenings! Mussolini wanted to compete with Hollywood’s cultural power and to raise Italy’s profile as a film powerhouse. We will be taking submissions direct from the website/snail mail for hardcopies and charging a lower submission fee in this new version of our planning. An African American focused film festival no more discriminates against a White filmmaker than does a comedy film festival discriminate against a horror film. He was tapped to direct Jurassic World, with a budget of $150 million. Are film festivals worth it? I wanted to know about the ones that weren’t. 8. The fact that you’re asking that question already puts you ahead of lots of filmmakers who haven’t considered how to make their films as appealing as possible to film festival selection committees and judges. ... NewFilmmakers and its sections do not pay screening fees. If you wish to see your likes as a FB admin the go to facebook.com/[yourFBpagename]?sk=page_insights§ion=navPeople. Not every filmmaker receives a screening fee if his or her film is selected.Instead, the value of participating in a film festival lies in the opportunity to get distribution deals SmartAsset can help. Film Festivals Pt3: What Festival Directors Really Think | Stephen Follows September 1, 2013 @ Needless to say, this strategy doesn’t always pay off. results of my study of almost 10,000 film festivals, last year the number of film students in the UK has risen by 209%, Film Festivals Pt3: What Festival Directors Really Think | Stephen Follows, US6829612: Withoutabox’s Dirty Secret | Stephen Follows, Film Festivals Pt 1: The Truths Behind Film Festivals | Stephen Follows, The San Francisco Furry Film Festival | Dogpatch Press, The seismic shift in the world of film festivals, Theoretical research: | TV Drama Process Book, edge | Towards a Re-Envisioning of Film Festivals, The cost, income and films of the Toronto International Film Festival, Study sheds light on the economics of film festivals – Geelong LGBT Film Festival. First you’ll answer a series of questions about your situation and goals. Compared to my main dataset, this group will certainly be suffering from. It needs a totally new structural approach. I am honoured to have been a part of the New Filmmakers NY festival in 2020. And we noticed something: festival … The Raindance Festival is hosted in London each year and is known as the largest independent film festival in the UK, making it a bit competitive but also offering a lot of opportunities for new filmmakers. Geraldine Ahrens August 25, 2013 @ These days, there are film festivals of all sizes. generated buzz at festivals. The importance of film festivals to a filmmaker rests in the … "Sitting on the festival side of the fence, there are a lot of things that filmmakers do that annoy film festival programmers," Grove said on his website. Overall, film festivals gave Withoutabox a poor report card. 12:04 am, […] relies more heavily on ticket sales to the public than most other festivals. The economics of present day film festivals is wholly lacking. I agree with Stephen, I have been surprised by some facebook and Twitter accounts recently getting HUGE followers in a rather strange way. But the lowest score was for how festivals rated Withoutabox’s “value for money for festivals” at just 4.2 out of 10. Each festival has … 69% of festivals receive at least three forms of funding and only 14% receive all of their money from a single income stream. The film festival in the French Riviera city of Cannes, originally slated to take place in 1939, was to be a counterweight to the Venice festival. A related fact from a previous blog post is that in the last year the number of film students in the UK has risen by 209%. By submitting your film to the St Kilda Film Festival for consideration, you acknowledge this condition of entry and waive your right to withdraw your film from the Festival … Indie Filmmakers Beware of Scam Film Festivals. For years filmmakers have leveraged festivals as a way to get their work seen and hopefully sold. I am only replying as I’m shocked at 1 particular stat – Only 15% of Festivals income comes from submissions. It had to wait until after the end of WWII, though. We do not charge the producer anything to submit so nothing to risk. One of the most common emails I got from festival directors was along the lines of “I can’t wait to see what everyone else says about Withoutabox”. From what I can tell, it is outright theft; made even worse by the almost gleeful way Withoutabox pretends it is perfectly acceptable. I’ve attended the grand-daddy of all film festivals - Cannes - twice, and I have also toured around many much smaller festivals in the UK, Europe and the USA. From the glitzy red carpet of the Cannes festival to the casual vibe at Sundance, film festivals are a chance to premiere new films, generate buzz and get distribution deals. Each of these festivals showcase short films by High School students, Youth or Teen Filmmakers. If you keep an eye on the news coming out of festivals you’ll get a good idea of which films are destined to be on every critic’s shortlist. One of the greatest advantages to making it into the festival … Indie Filmmakers Beware of Scam Film Festivals. I found…. I’ve spent several hundred dollars entering film festivals and never hear a fucking peep from those assholes. Showing a film at a festival is essentially a “loss leader,” a sale for less than something (in this case a film) is worth, designed to drum up interest and stimulate future sales. I will be posting another article next week with comments from festival directors, so today I’m going to concentrate on the numbers. It’s my guess that most filmmakers who have spent time entering their film(s) into numerous festivals will at some point come to the conclusion that film festivals are money-making machines, gouging filmmakers for profit. The Film … On a very basic level, a film festival is usually a multi-day event during which a selection of films is played for audiences. I want this discussion section to be focused on film festivals and not interpretation of the same public information. However, only 45% of film festivals use Withoutabox and it is only the third most popular method for accepting film submissions from filmmakers. If you want to know why Amazon bought Withoutabox, it’s simple. 2.3 best film festivals in the world • germany Berlin International Film Festival. I can remember the first time I went to a film festival … Film festival screening fee revenue is often a contentious topic, with festivals arguing the value of community and exposure while filmmakers point to the fact that the regional festival circuit is, for many, taking the place of traditional theatrical distribution. Film Entry accepting from: 1 st day of July every year. And while the prospect of getting into top-tier festivals is intoxicating, many filmmakers do not accepted. It’s interesting to see what other people are doing. Have a question? What do film festivals want from moviemakers submitting films? 10:09 am. VIII Naples Human Right Film Festival. Minority focused programs – Same as … 6:28 am. Minority focused programs – Same as … During 2013’s ten-day festival, the Sundance website received over 3.2 million page views and over 688,000 visitors. We are retooling for a spring date rather than fall date, in part from info that you gathered. In 2013 alone, the Sundance festival generated over 31,000 articles in print and online. However, this was slight and correlation is not causation so I didn’t make it a headline stat. $500 doesn’t seem that bad for a new festival that charges submission fees to get set up on WAB when you consider that the fee WAB charges to a festival such as ours that wants to use their service to accept submissions but doesn’t charge a submission fee is $2,000. Save my name, email, and website in this browser for the next time I comment. It was in the post-war period that film festivals really got going, with a reboot of the Venice festival, the launch of the Locarno festival and the first official Cannes festival. They also take 18% of submission fees right off the top. If your film is selected to screen at Sundance you can feel pretty good about your chances of getting a distribution deal. All festivals have their own specific reason for being, so pay attention to something as obvious as the submission rules. This reflected a wider trend I’ve discovered, which is that the film festival world is made up of passionate and helpful people. Marketing exercise. Another reason that film festivals seem to be here to stay is that they make money for the towns and cities that host the festivals. Previous Cannes festival partners have been Chopard, Nestle and HP. 4:17 pm, Hi Stephen, have you undertaken to do this study once again in 2014? I can help monitize English speaking feature films and add selected films to our growing online library. Every year’s Oscar winner premieres at a film festival. 12:45 pm, […] the last few weeks I’ve spent lots of time looking at film festivals and talking to film festival directors. 8:34 am. When you add that up that’s theft. The bigger the festival, the more competition there is for sponsorship rights. Almost exactly half (50.7%) of festivals provide discounted entry fees for student filmmakers. Adam Tinnion August 27, 2013 @ 8:11 pm, […] and 2013, of which 2,954 had run in the previous two years. without them we do not gain enough entries from our website alone as they have the database to market to. Some festivals … Bank of America® Travel Rewards Visa® Credit Card Review, Capital One® Quicksilver® Cash Rewards Credit Card Review, Are Oscar Winners Actually Financial Losers, The Top 10 Jobs for Salary and Growth in 2015, 7 Mistakes Everyone Makes When Hiring a Financial Advisor, 20 Questions to Tell If You're Ready to Retire, The Worst Way to Withdraw From Your Retirement Accounts. Gavin Keilly, CEO of the event and marketing company GBK, which ran the 2013 Cannes luxury gift lounge, said brands see impressive return on their investments in festival gifting suites. Needless to say, we’re one of the fests that don’t use WAB. I don’t wish to be drawn into an online debate without additional evidence being provided as we all have better things to do. Cultural Weekly estimates that for the films accepted, “$134.3 million was invested in dramatic features, and $18 million was invested in documentaries.” And not all of that money will be recouped due to the competitive nature of the film world. No, I haven’t, largely because it took quite a while and I’m looking at new topics. Granted, some film festivals – especially bigger, top tier festivals like Cannes, Berlin, and Sundance – exist in the sphere where top-dollar business deals and film acquisitions are made, fast-tracking the best of the best to the big screen. Update: Have financial questions beyond film festivals? As in my last post, I feel the need to point out that I am a film producer, not a statistician. I did not fill in the form, apologies, I must have missed it. If your film is accepted to a festival, you have a chance of winning prize money. I contacted 5,000 film festival directors from my original list, asking them to fill in a quick anonymous survey about their experiences. For critics, filmmakers and actors, the film festival circuit is now a year-round affair. If you are serious about your craft and you want to go to the next level, you’re going to need funding to do so… and this is where film festivals come in. In my study of 523 film festivals, I found that festivals earn an average of just 23% of their income from cinema box office and in […], Study sheds light on the economics of film festivals – Geelong LGBT Film Festival March 7, 2017 @ Do NOT follow this link or you will be banned from the site! This could be because established festivals do better on grant applications, because older festivals have learned more about the nuance of funding, or because of something else entirely. 523 festival directors completed my survey, which was a higher number than I was expecting. Consider the meaning of these words, “royalty-free”, “perpetual”, “irrevocable” combined with “right to use, copy, reproduce, transmit, adapt, publish, translate…in any media.” In my translation, this is an agreement giving Withoutabox permission to steal and sell your intellectual Property rights. My survey supports their finding, although I found the number to be higher, at 77%. Entries cannot be withdrawn after Friday 5 March 2021. The majority of film festivals do charge for submissions (an average of $27 for short films and $40 for feature films), but this isn’t their main source of income. Film festivals hire programmers to select the films that will screen at the festival. Too much to allow him to pay his actors. They’re either looking for films to pick up and distribute or for directors to hire for future projects. For example, at Sundance, over 50% of attendees have a household income of $100,000, while 26% have a household income of over $200,000. The same doesn’t hold for smaller, more under-the-radar festivals. I can see why Amazon wanted to operate in this market after buying OMDB and having on demand services like Amazon Live. They may also be asked to submit a director bio, a film still, a synopsis and … 10:02 am, […] experiences of 523 festival directors by Stephen Fellows. Filmmakers pay an entry fee (anywhere from $5 for a five-minute short to $100 for a feature film) and fill out a form describing their project. As in, the older the festival the more diversified their income. Filmmakers and festivals experience different sides of Withoutabox, and it could be argued that both use WAB out of necessity, rather than desire. Few Festivals make any money so where … Compare the Top 3 Financial Advisors For You. That’s partly due to the fact that there are so many festivals, and partly a response to the demands of the market. The most obvious limitations are: My next post is the final of three on film festivals, and will give voice to the comments of the film festival directors. 10:24 am, […] research for anyone who’d start a film fest: The Truths Behind Film Festivals – The Economics of Film Festivals – What Festival Directors Really […], How to Enter a Film Festival | August 26, 2014 @ Part 3 will give a voice to the human stories of the […], The San Francisco Furry Film Festival | Dogpatch Press August 8, 2014 @ Film festivals tend to take place in a single locale that has several screening areas available, so that multiple films can play at once. Your email address will not be published. 18% of festivals only accept entries via their website and 15% of festivals exclusively use Withoutabox (i.e. A third of all festivals would describe their funding situation as “bad” or “awful”. Attracting new audiences When a new or independent filmmaker brings a film to a festival, the viewers have the opportunity to connect with the story through experiencing the film … It’s on my ‘wish list’ if and when I get more time or some funding. Investing in films isn’t the same as investing in an index fund. It’s an open and shut case of artificial manipulation rather than natural support. Instead, a film could make money from a combination of generating press at festivals and making money from alternative distribution at museums, cultural centers, smaller festivals and other events. Unless there is new, as yet unpublished, evidence I think the conversation is best left here. If a festival has a specific type/genre/theme, that’s a-ok. I ended the questionnaire asking if there were any truths about film festivals that they felt filmmakers should know about. Filmmakers who don’t read the festival rules and regulations. If this sounds interesting please respond and i can outline the deal in more detail. Some big-name directors got their start with independent films at festivals. I didn’t pay for a write-up of my film in the festival magazine that was packed with advertising. Communication was very clear throughout and the team there are very organised and professional. The preparation starts months in advance, as independent filmmakers vie to have their films screened at festivals (even in a non-competitive capacity) and the usually small teams of in-house festival coordinators begin lining up volunteers and planning out the details.. 1:04 am, […] is happy with Withoutabox. the next stage is to find sponsorship which we are closer to doing but it’s a hard process. Best Global Short Film Festivals for New Filmmakers Raindance. ANN ARBOR, Mich. – Filmmakers showing their films at this year’s 59th Ann Arbor Film Festival can now expect to be paid for their art. At Cannes, brands can also sponsor gifts given to celebrities in gifting suites. How Much Do I Need to Save for Retirement? Check out this egregious clause in their terms of service where filmmakers allow Withoutabox to reproduce and sublicense their work in perpetuity with no royalties!!!! The feeling I got from festival director en mass wasn’t that WAB should be closed, but that there should be more competition in the marketplace. Unfortunately the website they provide is awful! If you live in a place that’s hosting a film festival, you could always try renting a room on Airbnb to claim your piece of the film festival economy. A very common theme was their dislike of Withoutabox and their frustration that a better […], Film Festivals Pt 1: The Truths Behind Film Festivals | Stephen Follows October 23, 2013 @ If a film attracts the attention of festival curators, an independent creator could have their work showcased in front of an influential audience. 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