imagePROGRAF PRO-2000 series CUPS Printer Driver Ver. (Mac) (Standard) This is a printer driver for your selected model. The web based printer setup works very well, driven (Mac and Win) from a specific setup web page. I’ve tried to show the glossiness of the ink/paper along with any bronzing or gloss differential. When testing the PRO-1000 I noticed that B&W print linearity has improved with this new range of inks and printers, so much so that for many test prints I found the as-is print output OK to use. The inks have been reformulated offering deeper blacks (on photo media) and have swapped the green ink of the previous models for a clear gloss coat or ‘Colour Optimiser’ (CO) ‘ink’. Load the paper. OK, I managed to produce some excellent prints directly from Photoshop, and some other software I tried such as ImageNest and Mirage, but the point is that with excellence in other areas, PSP just looks a bit out of place. It happens that a lot of the functionality of the old plugin is now available in the all new printer driver, but PSP is promoted in the printer’s feature list rather more prominently. The Print Studio Pro plug-in lets you print from software such as Lightroom, Photoshop and Canon’s Digital Photo Professional, Canon 90gsm translucent paper (IJM 140 Transparent Paper), Pinnacle Velvet 275gsm (fine art ‘etching style’ paper), Pinnacle Lustre 300 (my ‘standard’ paper for many years on my iPF8300), A note… I write these printer reviews in my spare time, I don’t get paid and have no business connections with Canon or Epson. It’s a big printer and rather long review – especially if you include the article covering the installation and setup of the PRO-2000. Printing carries on whilst I’m changing the ink. The custom setting gives a quality slider, but for this paper wouldn’t let me choose all of the positions. A detail shows the rubber seals and the cart’s information chip. PSP also won’t let me use BPC via an external CMM – there is a suggestion in the manual that I an install some software from Adobe, but unfortunately the Adobe CMM that you can download hasn’t been updated for years and no longer works on Macs. If you use the Accounting Tool (of which more in a bit) for keeping track of paper and ink use, then the custom media can have specific accounting information associated with it, for all the different sizes you use (e.g. If you’ve the roll unit fitted, select it here, so that the option to use it will appear in your printer dialogues. Personally I’d avoid any media on 2″ cores – the paper curl can get very strong towards the end of the roll. I’m left with just one ‘consumable’ that I’ve no data on. The new inks and printer produce better quality black and white prints with minimal fine tuning and adjustment. I’m afraid I don’t really pay too much attention to such numbers when printing my work – it’s about what the image looks like and how it matches my desire to show it. You can see it being used in take-up mode above. The PRO-2000 on its stand shakes less than the older models. The data is available in a lot more detail, with ink usage on a per ink basis, and you can export it as a CSV file for hours of fun in Excel. However, if you do not want to use CO ink on Glossy or Semi-Glossy type paper for any reason, you can use either of the following print settings for this purpose: 1- Select “Standard” for print quality setting, and select “AUTO (default)” for CO coverage setting in the driver or Print Studio Pro. I need to run the printer utility to update the driver. On most papers the differences were much harder to see – one reason I chose this paper. The quickest way to launch many such functions is with the Quick Utility Toolbox software. Which is the correct machine to buy – Canon or Epson. or Best Offer. On earlier printers such as my iPF8300, I’d make a slight adjustment here to get a neutral grey under some indoor lighting. This A4 image (on an A3+ sheet) is one I’ll show later, when looking at the effects of various levels of gloss coat (CO). Find the latest drivers for your product. I like to make our own colour profiles for papers and printers I’m testing, using i1Profiler from X-rite and an i1iSis XL scanning spectrophotometer. As an aside, I’d note the layout plugin, which actually work quite well for canvas printing, where it can add borders and extend images for stretching. For more recent exchange rates, please use the. This is where it all fits in the ink tank bin. Experience in the past and with my own iPF8300 suggests that they last longer with regular use, and like all large printers, won’t like being left unattended. This works particularly well if you use the B&W print mode and want to slightly tone/tint an image, or are just looking for optimal neutrality of a print under a particular light source. Any suggestions? If you’re curious, then this is how much ink was used up for the 7 metre print, in the hour it took to print. There is a steady usage as part of the printer’s maintenance and cleaning functions. Hard Drive 320 GB. Drivers. My own experience has shown that Canon have a good warranty coverage on print heads (1 year). If you use them, do be sure to read the explanatory notes that go with them. The overall design could do with a bit of tidying up to soften the ‘built by an engineer’ look but it worked just fine. As to whether to use full or auto, that depends on the media you are using and needs testing to see what you think looks best. 2/3″ Roll Holder: RH2-27, CONSUMABLES I’m looking at a purchase of either the 4000 or 6000 version of this machine. Canon Pro-2000 Review and Related Items of Interest This article is more about the related items of interest than about the printer itself, though they are intimately connected. There is a separate article covering Installation and setup of the PRO-2000 which is best to start with if you are getting a brand new printer. Canon Australia has announced the PIXMA PRO-200 professional photo desktop printer, a successor to the highly-regarded the PIXMA PRO … Whereas previous model changes for 24″ printers have seemed modest, the PRO-2000 (and 4000,6000) seem like Canon have taken a decisive step forward. Here are two shots of a black and white print (on one of the heavy art papers) photographed under halogen lighting and daylight. Dec 2016: Ink agitation info During testing I tried media ranging from 90gsm (translucent) tracing paper through to half millimetre thick art papers, and two different thicknesses of canvas. 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